Record Reflections by A. Scott Galloway
25 years ago, a super group of contemporary jazz giants formed a quartet dubbed Fourplay and began the business of making evocative groove-scapes spiced with a tasty dollop of sensuality via soul-pop vocal stars and sexy covers of touchstones by boudoir masters Marvin Gaye and The Isley Brothers. Since that time, they’ve pretty much ditched the vocals and gone deeper into what I call movies for the ears. Fourplay’s new 10-song CD, Silver (Concord Records) – recorded at Sunset Sound Studio in Hollywood where they cut their self titled debut in 1990 for Warner Bros. – marks the band’s 25th anniversary and is, fittingly, one of its finest most consistent CDs in some time.
Aside from said aural movie wonders, I find the highlights of this album (with all songs referencing silver in some constitution) are the slinky “Horace” (pianist Bob James’ homage to jazz legend Horace Silver, the great pianist and prolific “soul-jazz” composer who passed away in June 2014), the acoustic brushed elegance of drummer Harvey Mason’s “A Silver Lining,” guitarist Chuck Loeb’s “Precious Metal” – the most sensual and romantic of the songs featuring special guest Kirk Whalum – and bassist Nathan East’s “Aniversario,” a tasty slice of funk. Extra special are the returns of Fourplay’s previous guitarists: original member Lee Ritenour (who contributes the rich harmonically layered CD-closer “Windmill,” co-composed with old west coast studio friend “The Mase”) and Rit’s replacement Larry Carlton who joyfully teams with Loeb on the bluesy groove “Silverado” which feels like an Eddie Harris line buffed to signature Fourplay polish.