Check out the second set at the Blue Note Tokyo from the January 7, 2020 show HERE!
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Blue Note Tokyo – Full Set 1
Check out the second set at the Blue Note Tokyo from the January 7, 2020 show HERE!
Bob James Finishes 2019 with Top Songs of the Year
“Topside”, produced and co-written by Bob James & Sonny Abelardo, finished the year at #6 on the Billboard Smooth Jazz Year-End Chart for 2019!
“Submarine” also snuck in at #47, despite most if its radio plays occurring in the last quarter of 2018.
At 80, Bob James is still writing & performing hits of the year. Be sure to catch this legendary performer at his next show!
End of the Year Buzz
December is hot with lot’s of attention this month to round out the year!
Jazz Times featured the tour and remastered release of JOINED AT THE HIP with Bob James and Kirk Whalum…JOINED AT THE HIP is also featured at e-Onkyo….
And HD-Tracks is currently highlighting JOINED AT THE HIP, SNOWBOUND & DOUBLE VISION!
Bob James – Creating Jazz -presented by Musician’s Creativity Lab
Bob James: GRAMMY winning jazz composer teaches you how to create jazz. Riff along with him using music he created specially for this once-in-a-lifetime course.
Check it out HERE!
Musician’s Creativity Lab worked hard to make sure we could bring you this amazing unique opportunity to learn from, be inspired by, and improvise with one of the best.
JOINED AT THE HIP Remastered Release & Tour
Acclaimed album Joined At The Hip from jazz icons Bob James & Kirk Whalum is remastered & re-released!
Available December 13th via Evosound (Evolution Music Group)
Japan Tour to Follow Album Release
An undisputed doyen of contemporary jazz, piano maestro Bob James has enjoyed a long and storied career that has produced many fine musical moments along the way. Though as a supporting artist he’s appeared on significant recordings by some of the greatest musicians in the history of popular music – everyone from Chet Baker and Paul Simon to Aretha Franklin and Roberta Flack – it was his own solo albums from the 1970s onwards that truly brought him fame.
But the records that have taken Bob James to an even wider audience have been his collaborations. He’s won Grammy awards for his shared projects with Earl Klugh (One On One) and David Sanborn (Double Vision) and in 1996 was nominated again together with tenor saxophonist Kirk Whalum for their joint album, Joined At The Hip. Though ultimately it didn’t triumph at the Grammies, it peaked at No. 10 in Billboard’s jazz albums chart and has been a musical touchstone in both musicians’ careers. Having said that, it’s something of an underappreciated gem in their respective catalogues but now gets a chance to shine again via a new remastered reissue by the evosound label on SACD, MQA-CD and Hi-Res Audio, coinciding with James and Whalum’s upcoming Joined At The Hip tour of Japan.
“Looking back on the highlights of my career, it’s become more and more clear to me how much I love collaborations,” says James, now 79, who first came across Whalum 35 years ago in 1984 at a concert in Texas. The pianist was impressed by the then unsigned saxophonist and invited him to play on his album, 12. By the time that they recorded Joined At The Hip together, Whalum had five albums under his belt and was an established saxophone star of the smooth jazz scene.
As Joined At The Hip vividly shows, James and Whalum possess a unique creative chemistry when they play together but they were enhanced by what the saxophonist described as “an incredibly magical cast that Bob had assembled”: guitarist Jeff Golub, bassist Chris Walker and drummer Billy Kilson, who, according to James, “weren’t just playing parts, they were creating a vibe by injecting their own personalities into the music.”
The cohesion and togetherness of the musicians coupled with their flair and tastefulness certainly is part of Joined At The Hip’s enduring appeal but the compositions as well as the performances are strong and memorable, too: ranging from Whalum’s evocative and deeply moving songs ‘Soweto’ and ‘The Prayer’ – “I wrote them just after witnessing a baptism ceremony of a Zulu Christian church on the beach in Durban, South Africa,” he says – to lighter, less reflective pieces in the shape of James’ ‘Kickin’ Back’ and the playful, bluesy ‘Tour De Fourths.’
These original tunes are augmented by two striking covers: Donny Hathaway’s ‘The Ghetto’ (mixed by Bob Power) and Maria Muldaur’s ‘Midnight At The Oasis,’ both hits in the 1970s. “I loved these choices, both of which, in my memory, came from Kirk,” reveals James. “We made it a family affair by having his brother Kevin and my daughter Hilary sing the duet on ’Midnight at the Oasis.’ Their blend was so cool!”
23 years on, Joined At The Hip still sounds fresh and relevant, capturing two master musicians at the peak of their powers. “It was an enchanting experience,” says Whalum, reflecting back on the session. His sentiments are echoed by Bob James. “I still listen to it often. It’s a big fave in my collection,” he says.
Charles Waring
Joined At The Hip has been remastered using the original high resolution audio mixes and will be available on SACD, MQA-CD and Hi-Res digital audio (24bit / 44.1kHz). The SACD and Digital release includes two bonus tracks, the previously unreleased full-length versions of ‘Deja Blue’ and ‘Out Of The Blue’. The album’s 16-page booklet includes new liner notes featuring reminiscences from James, Whalum, and the session’s original sound engineer, Ken Freeman. The hybrid SACD plays back on both SACD and regular CD players. MQA is an award-winning technology that delivers the sound of the studio. MQA-CD plays back on all CD players. When a conventional CD player is connected to an MQA-enabled device, the CD will reveal the original master quality.
Bob James & Kirk Whalum · Joined At The Hip (remastered)
Release Date: December 13, 2019
SACD Hybrid Stereo – UPC 4897012136614
MQA-CD – UPC 4897012136560
Hi-Res Audio – available from HDtracks.com, Tidal, Qobuz, HighResaudio.com, e-Onkyo, Amazon Music
Joined At The Hip Japan Tour
The original line-up from the Joined At The Hip sessions of Bob James (piano), Kirk Whalum (sax), Billy Kilson (drums) and Chris Walker (bass), accompanied by Will Patrick (guitar) will play the album, in its entirety.
- Dec 29 Blue Note Tokyo
- Dec 30 Blue Note Tokyo
- Dec 31 Blue Note Tokyo
- Jan 2 Blue Note Tokyo
- Jan 4 Motion Blue Yokohama
- Jan 5 Blue Note Nagoya
- Jan 7 & 8 Blue Note Tokyo (Just Bob and Kirk with Blue Note Big Band)
To learn more about Bob James, please visit: BobJames.com
To learn more about Kirk Whalum, please visit: KirkWhalum.com
To learn more about evosound, please visit: evosound.com
Blue Note Tokyo All-Star Jazz Orchestra with Bob James & Kirk Whalum
Blue Note Tokyo All-Star Jazz Orchestra directed by Eric Miyashiro with special guests Bob James & Kirk Whalum
January 7th & 8th, 2020
Bob James & Kirk Whalum: Countdown & New Year Live
Live Review: Double Vision Revisited at the Birchmere in Virginia
Bob James, David Sanborn and Marcus Miller performing the music of “Double Vision” (Photo: Jon Gitchoff c/o ECP)
The trend for a band to revisit a particularly successful album from its past seemed to have started with the curators of the All Tomorrow’s Parties festival who asked hip hop and alternative rock artists to perform one of their older albums from start to finish. The phenomenon soon spread to the 60s and 70s generation of rock bands, who found that nostalgic fans were clamoring for them to return to touchstone Classic Rock recordings. It eventually caught on in the jazz world, though it was often younger bands paying tribute to classic discs from jazz legends like Miles or Trane, the original leaders having long since passed. In some cases, bands would do the album in exact order, and for those raised in the vinyl era, you could almost hear the crowd sing or hum the next song, cued involuntarily by a lifetime of playing the album from start to finish. The song order was hard-wired.
For their Aug. 19 performance at the Birchmere in Alexandria, Virginia, featuring the music from their seminal jazz fusion album Double Vision, Bob James and David Sanborn (with Marcus Miller) chose to mix it up and even include two tunes that James had either written or arranged. Their group, which also includes drummer Billy Kilson and vocalist Larry Braggs (taking the place of Steve Gadd and the late Al Jarreau from the original recording), is in the midst of a 20-city tour with nearly every date sold out and attended by adoring fans almost entirely of a certain age. That is, old enough to have initially heard the album on a turntable.
Double Vision, recorded and released in 1986, brought together two giants of the contemporary jazz genre – Sanborn and James – both of whom had already experienced much success both as session players for jazz and pop stars and as leaders of their own groups and albums. They turned to Miller, already…Continue Reading HERE.
Related show
Can you handle DOUBLE VISION Remastered?
Bob James x David Sanborn X Marcus Miller and more …
Stream / Download: https://smarturl.it/BobJamesDoubleVision
Bob James & David Sanborn’s Grammy winning album ‘Double Vision’, released in 1986. Masterfully produced by Tommy LiPuma.
#bobjames #davidsanborn #MarcusMiller
connect with Bob James
Website: http://www.bobjames.com/
Facebook: https://www.facebook.com/BobJamesJazz
connect with David Sanborn
Website: https://www.davidsanborn.com/
Facebook: https://www.facebook.com/davidsanb/